Wholesale Oil Painting No Minimum
Prev       Next     
 
    

SACCHI, Andrea

Italian painter, Roman school (b. 1599, Nettuno, d. 1661, Roma).Italian painter and designer. He occupied an important position, midway between Annibale Carracci and Carlo Maratti, in the development of a more restrained, less decorative painting in 17th-century Rome, a trend that culminated in the 18th century with Pompeo Batoni. Sacchi trained with Francesco Albani, Carracci's student, and taught Maratti. His often expressed devotion to the art of Raphael and Carracci and his criticism of the views of Pietro da Cortona and Gianlorenzo Bernini made him, with Nicolas Poussin and Alessandro Algardi, one of the most significant representatives of a stylistic and aesthetic opposition to the more flamboyant, extrovert aspects of the High Baroque. Sacchi did not, however, share Poussin's passionate interest in Classical antiquity, nor was his mature work as cerebral. Yet his mature style, less richly coloured than his early manner and more restrained emotionally,
SACCHI, Andrea Hagar and Ismail in the Desert ug painting


Hagar and Ismail in the Desert ug
Hagar and Ismail in the Desert ug
Painting ID::  9033
   c. 1630 Oil on canvas, 96 x 92 cm National Gallery of Wales, Cardiff
  c. 1630 Oil on canvas, 96 x 92 cm National Gallery of Wales, Cardiff

 
 
   
      
SACCHI, Andrea
Italian painter, Roman school (b. 1599, Nettuno, d. 1661, Roma).Italian painter and designer. He occupied an important position, midway between Annibale Carracci and Carlo Maratti, in the development of a more restrained, less decorative painting in 17th-century Rome, a trend that culminated in the 18th century with Pompeo Batoni. Sacchi trained with Francesco Albani, Carracci's student, and taught Maratti. His often expressed devotion to the art of Raphael and Carracci and his criticism of the views of Pietro da Cortona and Gianlorenzo Bernini made him, with Nicolas Poussin and Alessandro Algardi, one of the most significant representatives of a stylistic and aesthetic opposition to the more flamboyant, extrovert aspects of the High Baroque. Sacchi did not, however, share Poussin's passionate interest in Classical antiquity, nor was his mature work as cerebral. Yet his mature style, less richly coloured than his early manner and more restrained emotionally,
Hagar and Ismail in the Desert ug
c. 1630 Oil on canvas, 96 x 92 cm National Gallery of Wales, Cardiff
Prev       Next     

Related Paintings to SACCHI, Andrea :.
| Pippo Spano | Glenorchy's Prond Mountain (mk37) | Ibree babers | Gather Ye Rosebuds, or, Ophelia | Grotto in the Gulf of Naples |

CONTACT US
Xiamen China Wholesale Oil Painting Stretcher Bar Wholesale Frame Moulding Mirror Framed Stretched Paintings